Sunday, July 2, 2017

Despicable Me 3











Co-Directors Kyle Balda’s and Pierre Coffin’s Despicable Me 3 will delight fans of this wonderful franchise.  However, it’s not quite as good as its predecessor.
The reason is that there is not enough screen time for the Minions.  The Creative Team does not realize the audience is more interested in the Minions and Gru’s 3 children than Gru and his twin brother Dru…and, certainly, more than Gru’s nemesis Balthasar Bratt.
 
When the Minions and the Kids are present, the screen comes alive.  I hope this gets clear for, what I hope would be, Despicable Me 4.

As for this outing, Despicable Me 3 gets a 4.2 out of 5.


Beatriz at Dinner







I’ve heard of horse races in which the lead horse falls in the stretch, but not one where the jockey turns the horse around and goes in the opposite direction, when victory is a few strides away.

But, that’s what Director Miguel Arteta (the jockey) has done with Writer Mike White’s (the horse) script in Beatriz at Dinner.  Or, in this case, perhaps the horse had a mind of its own.
 
Beatriz (Salma Hayek) is a holistic masseuse, whose car breaks down after treating Cathy (Connie Britton) at her mansion in an L.A. gated community.  Having been responsible for nursing Cathy’s daughter, who had early-age cancer, Cathy invites Beatriz to stay for dinner while she waits for someone to come fix her car.
 
Cathy and her husband (David Warshovsky) are hosting a party for his billionaire client (John Lithgow), his lawyer (Jay Duplass) and their wives (Amy Landecker and Chloё Sevigny).

Beatriz is a polar opposite in status to everyone and in ethic, especially to the men.

She begins to speak her mind to the embarrassment of her hosts and the film sets up expectations for an epic battle.  But, then, the horse turns around and starts to run in the opposite direction. 



Instead of standing by her principles, Beatriz drinks too much, gets high, fantasizes about killing the Trumpian billionaire and, instead, deep-sixes herself in the Pacific.

What!!??




Well, the performances, especially Hayek’s, are excellent.  But this juvenile turnabout earns Beatriz at Dinner only a 3.1 out of 5.  And, that’s being kind.

Monday, June 26, 2017

Paris Can Wait










Writer/Producer/Director Eleanor Coppola’s Paris Can Wait is a delightful adult romance in which Anne (Diane Lane), the wife of Michael (Alec Baldwin), a famous movie producer, is driven to Paris from Provence by Jacques (Arnaud Viard), one of Michael’s old friends.
 
What could have been a day trip turns into several days as the bon vivant Jacques treats Anne to gastronomic and visual side trips that show the wonders of France.
 
The possibility of their romance keeps budding beyond the end credits.

Besides Cinematographer Crystel Fournier’s sumptuous images, you will definitely be ready for a delightful dinner following your viewing.

I give Paris Can Wait a 3.8 out of 5.