If you’re thinking of suicide, but haven’t built up to the
final push or if you think there should be no joy in life or even if you think
you’ve just been too happy lately, then Writer/Director John Michael McDonough’s
Calvary
is a must-see for you.
But, if you’re looking for entertainment, even of the
erudite kind, be forewarned. I’ve seen
holocaust movies that were less depressing than this film.
Don’t get me wrong.
It’s beautifully acted by Brendon Gleeson as Father James and the
beautiful Kelly Riley as his daughter Fiona from the marriage he had before
joining the priesthood. Cinematographer
Larry Smith has some great images of Sligo County Ireland and Patrick Cassidy
has created a fitting score. But,
why? Why do we want to see characters Dante
might have gleaned off Satan’s ass? What’s
the point?
The film made me recall a party I attended
many years ago in which I got into a discussion with a psychotherapist about
which religious and/or ethnic childhoods were the worst. Of course, we covered Catholic guilt and
Jewish guilt and several others, but, when I mentioned the Irish, her comment
was, “Oh, they’re doomed!”
Calvary was created to validate that statement.
See it at your own risk.
I give Calvary a 2 out of 5, but Gleeson
and Riley get a 4 for their work.
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